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O’Sullivan, Intelligent Efficiency Resource Group (IERG), UCC Criteria A minimum qualification of a 2.1 honours BSc or MSc in a scientific discipline (i.e., engineering, computer science, artificial
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SPEAR Centre: PhD in ‘Long-Range, High Bandwidth Distributed Acoustic Sensing for Fibre Optic Links’
Essential Criteria First or upper second-class honours degree (or equivalent international qualification) in Electrical / Electronic Engineering or Physics. Strong interest in photonics, or high-speed
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are invited from graduates who meet the following: Hold a first-class or upper second-class honours degree (or international equivalent) in: Electronic Engineering/Electrical Engineering Photonics / Optical
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education, research, and innovation, which has been inspiring generations of thinkers for over 400 years. The Wireless Engineering and Complexity Science Lab (WhyCOM) and Not A Space Race Lab (NASR
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Environmental Ethics Bioethics AI Ethics (3) Topics in Music: Music in Digital Cultures (including AI) Electroacoustic Music/Sound Studies Music, Technology, and Higher Education Music and Arts Infrastructure
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Network initiative aimed at revolutionizing the field of Quantum Technology by addressing critical gaps in interdisciplinary education and training. This program will cultivate a new generation of “Q-System
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9 Jan 2026 Job Information Organisation/Company Maynooth University Department Department of Chemistry Research Field Engineering » Chemical engineering Chemistry » Computational chemistry
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technology. The primary criterion is that the applicant’s research should be innovative and of the highest quality. The successful applicant should have a background in ethnomusicology, digital musicology
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the understanding and care of Parkinson’s disease (PD) across Ireland. Focussing on stigma, gender and culture, mental health, physical activity, and wearable technology, the consortium projects will generate
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technology. Potential areas of focus include but are not limited to: Afrodiasporic sonic aesthetics and globalization Music production and sampling in the 21st century Hybrid and experimental music