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. Qualifications Minimum Education and Experience: A PhD in English, Rhetoric and Composition or a related field is required prior to employment; those with ABD status will be considered at the application
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Communication; TESL/Applied Linguistics; as well as an MFA program in Creative Writing and the Environment. The department also offers two PhD programs in Applied Linguistics and Technology and Rhetoric and
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Stomatology - Stomatology Condensed Matter Physics - Optics Physiotherapy - Physiotherapy Architectural History, Theory and Composition - Architectural Graphic Expression Design Engineering - Graphic Expression
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Advanced Carbon Fibre Composites using Next-Generation Additive Manufacturing (CFAM) School of Mechanical, Aerospace and Civil Engineering PhD Research Project Self Funded Prof Patrick Fairclough
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candidate should hold a Master's degree (or equivalent) in Materials Science, Metallurgical Engineering, Biomaterials, Corrosion Science, Mechanical Engineering, or a closely related discipline. Applicants
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. Candidate Information Materials (Department of Molecular Physics description): Department of Molecular Physics (KFM) is a part of the Faculty of Chemistry of the Lodz University of Technology. It is an
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Institut de Recherche en Génie Civil et Mécanique (GeM) | Saint Nazaire, Pays de la Loire | France | about 1 month ago
plateformes expérimentales de pointe. Les candidatures doivent être déposées sur la plateforme Amethis (https://amethis.doctorat.org ). This PhD thesis lies at the interface between materials mechanics
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University of North Carolina Wilmington | Wilmington, North Carolina | United States | about 4 hours ago
Posting Details Posting Details Position Title Visiting Assistant Professor of Music Theory & Composition External Link to Posting https://jobs.uncw.edu/postings/39003 College College of Humanities
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Degree in Chemical Engineering, Materials Engineering, Chemistry, or similar combination of education and experience (Required) PhD Ph.D. in Chemistry, Chemical or Materials Engineering, or similar field
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breadth and/or depth of knowledge in creative sound design, score-mediated composition, sound art and music technology and of teaching methods and techniques to work effectively in the creative practice